HuckleBerry
Center for Creative Learning

Andrew Holyfield
Hi everyone! My name is Andrew. I graduated Summa Cum Laude at UC Riverside in 2016, with a B.A. in Creative Writing. While there, I completed the Honors Program, published a thesis, was an editor for both the campus Research Journal and Honors Program literary journal, joined the Writing Program as a Teaching Assistant, and completed three MFA courses, all with a 4.0 GPA.
Tutoring started for me in the campus Writing Program, in which I tutored eighteen students per week. Around that same time, my younger brother, diagnosed with Aspergers, started college. I tutored him during his four-year journey to receive his Paraprofessional Certificate.
Nerdy as it sounds, I love Grammar and read often (in-between Netflix binges). Until my time at UC Riverside, I abhorred reading and preferred the trusty summaries from Spark Notes. I know English and writing can be both challenging and boring, but perhaps all a struggling student needs a little help and positive reinforcement. If that sounds like you or your kid, I'd love to help.
I’m a published songwriter with 20+ years experience in the music industry.
English 9 Writing & Literature AG
Homework: Required! Plan on 2-3 hours / week
English 9 is a year-long English composition course which fulfills A-G guidelines. This course is a total of four units, separated into three trimesters. Each unit is centered around a theme, including fiction, non-fiction, and poetry, allowing students to explore a breadth of topics, discuss symbolic usage across texts, and dive deeper into the process of writing and reading analysis. By the end of the academic year, students should have firm grasp on grammatical concepts (the foundation which builds our writing), creative skills (the methods in which we express in our writing), and how to research and argue a thesis (a position).
Each class will review weekly assigned reading, unpacking plot, layered symbolism, and the construction of sentences which stand out as examples of quality writing. Close reading will be a central cornerstone of class discussion, ensuring students can analyze, extrapolate, and articulate literary elements within the text. Participation in class discussion is encouraged. Grammar and syntax will also be reviewed, to ensure students have an understanding of paragraph construction.
Homework is assigned weekly, reflected on the Google Classroom (a code will emailed prior to the in-person trimester beginning to all enrolled students and respective parents). Homework will often include a portion of reading from the required text, and this will serve as a guide for portions of in-class discourse. Writing assignments will parallel the text or lesson, ensuring students can put into words what he/she is learning from the text and/or class lectures. Each assignment will be worth 10 points. Each Unit is allotted one Key Assignment. Students will be given plenty of time to complete each and will be expected to present their work to the class. Each Key Assignment will be worth 100 points. Each assignment is graded and returned weekly with written feedback. Student participation in class discussion and in-class work also contribute to the trimester’s final grade. Please review the grading rubric below for more details.
A Final Portfolio will be due twice: before winter break and again at the end of the school year. This assignment will include handwritten notes taken by students during lectures, scanned copies of key assignments with written feedback, and a letter of reflection discussing areas of growth from each student. Students are reminded to keep returned, graded work so assignments can be included in the portfolio. Plenty of time will be given for students to gather and prepare materials.
Fall
The fall trimester will include both Unit I and Unit II. That said, learning will start remotely a few weeks before in-person instruction begins at Huckleberry to ensure enough time is had to complete both units. This is due to Huckleberry following a trimester system and guidelines following a semester system, and, with fall being our longest session, it makes most sense to
front-load the work so that students can adjust and have lighter reading/course work as the year progresses.
Unit I will cover memoirs/auto-biographical and non-fiction writing. The reading will include Sherman Alexie’s semi-autobiographical novel, The Absolutely True Diary of a Part-Time Indian, which we will begin reading before in-person instruction, dissecting the concepts of Truth (subjective) and Fact (objective) and role of the narrator’s perspective and the author’s voice. Discussions will initially be held via Google Classroom, until classes officially start; students will be guided on how to dissect the writing. The second reading will be the historical biography by Mary Gordon, Joan of Arc. Because both works are relatively brief, students will be able to complete both works with a manageable reading schedule. Weekly assignments will focus on extrapolating layered symbolism, researching the time/culture around the narrative, and unpacking the meaning of the writing.
Unit II will begin half-way through fall session and focus on historical US documents and speeches. Class discussion will center around each speech’s implementation of the Aristotelean rhetorical appeals––Logos, Pathos, and Ethos––as well as the inclusion or avoidance of logical fallacies. Speeches include “the Gettysburg Address,” “Letter from a Birmingham Jail," and Hemingway’s “Nobel Prize Acceptance Speech.”
Each Unit concludes with a Key Assignment. Unit I will end with a Narrative Essay and/or Elevator Speech, and Unit II will conclude with a research-driven Argumentative Essay. Students will present these to the class and turn in physical copy. Written feedback and grade will be given and returned for inclusion in each student’s portfolio, the first of which will be submitted in the first two weeks of winter break.
Winter
Unit III will unpack writings from different cultures and settings. The reading for winter session will include: Fathers & Sons by Ivan Turgenev and The Chosen by Chaim Potok. Class discourse will center around central and repeating themes and symbols, along with syntactical construction from excerpts, studying how the paragraphs are created. Weekly assignments will respond to the reading and the author’s purpose in what they write.
The Key Assignment consists of an Informative Essay on either a culture or a topic of interest from the student. Cultures can stem from the readings, the student’s familial culture, or any area of interest a student has and wishes to research and share. Due to the academic cycle, winter session will not include a portfolio (submitted after Unit II and Unit IV). Thus, 20% of the grade will instead be allocated to class participation and attendance. Details will be reviewed in class so all students understand how grades will be tallied.
Spring
Unit IV will dive into the rich and unique world of poetry. Students will learn poetic devices–– creative literary tools writers use to express themselves––to add poetic and complex beauty to their respective writings, as well as how stanzas are structured and treated differently from prosaic paragraphs. Weekly readings will be spent analyzing stand alone poems from various literary movements and cultures, the thematic motifs of each movement, and the biographical background of each poet. Please review the reading list from a complete list of poems.
Students will have time to write their own poems in response to each week’s reading. This will serve as preparation for the spring session Key Assignment. The Key assignment will be to write and recite an original poem in the style of a given poet. Poem should also reflect poetic devices. Once the spring session has concluded, students will submit the second and final Portfolio.
Reading List
Fall (Unit I & II)
The Absolutely True Diary of a Part-Time Indian by Sherman Alexie
Joan of Arc by Mary Gordon
“The Gettysburg Address” by Abraham Lincoln
“Letter from a Birmingham Jail” by Martin Luther King, Jr
“Nobel Prize Acceptance Speech (1954)” by Ernest Hemingway
Winter (Unit III)
Fathers & Sons by Ivan Turgenev
The Chosen by Chaim Potok
Spring (Unit IV)
“Sympathy” by Paul Laurence Dunbar
“Caged Bird” by Maya Angelou
“Jabberwocky” by Lewis Carroll
“The Raven” by Edgar Allen Poe
“Ozymandias” by Percy Bysshe Shelley
“The Love Song of J. Alfred Prufrock” by T.S. Eliot
“‘Hope’ is the thing with feathers” by Emily Dickinson
“Sonnet 18” & “Sonnet 73” by William Shakespeare
Grade Rubric
40% Key Assignments
-Each Key Assignment must follow MLA guidelines, include work cited pages, and respond to each prompt completely.
-In the trimester with two Key Assignments, each will hold a respective 20% value toward the trimester grade.
40% Weekly Assignments
-Each assignment will be worth 10 points.
-This allotment of points includes both homework and in-class work which is turned in.
20% Portfolios
-In our fall and spring trimesters, 20% of the total grade is allocated to the portfolio. OR
20% Attendance & Participation (Winter Session ONLY)
-Attendance is only reduced if student is absent without cause
-Parents or student need only send an email verifying absence to ensure full points -If students aren’t keeping up with work or participating, points will get reduced. -If student is struggling with assignments, he/she is encouraged to speak with me